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| Exhibition Congeniality and Exhibition Type Descriptions of Exhibition Type Name of Exhibition Building and Building FunctionContent Management Powered by CuteNews
Exhibition Agenda Current Exhibition Solo Exhibition Painting Exhibition<< Previous Next >> 
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Congeniality and Exhibition Type
Congeniality of Exhibition Type Congeniality of Exhibition is an activity of fine art aspect presentation to be communicated so that earns appreciation by public. Type Exhibition Type Exhibition is: Permanent Exhibition Transient Exhibition (Temporary Exhibition) Circle Exhibition (Traveling Exhibition)
Showroom 08 Feb 2007 by webmaster | << Previous Next >> INDONESIA ART EXPOSITION 2010 Semarak 30 Semar From June 6 until June 12 Feature 30 statues and 19 reliefs of the grandfatherly pot-bellied figure. In the hands and imagination of master potter F. Widayanto, Semar, the wisest character in Javanese mythology, could be anything. Anything that in the end boils down to the ancient wisdom of who holds the highest power of all: The people. "Semar, in my mind, existed and was real and alive throughout time, and he existed for all nations and cultures," he says. Semar appears as a surrealist painter in Dali Mania. He becomes an Egyptian king in King Izmy, and a Greek god in Zeus Mar. The usually serene image of Semar gives way to a certain smugness in Belly Dragon, or pensiveness in Moody Blue. But it was not an easy task to develop these reinterpretations of the mythical figure who always shows up last in wayang puppet performances, offering words of wisdom. The artist says it took him 13 years to grasp the essence of this character.[The Jakarta Post,Jakarta] Organized by F. Widayanto Studio with Indonesia National Gallery << Previous Next >> ABAS ALIBASYAH (Born 1928) << Previous Next >> |
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| Exhibition Agenda
TEMPORARY EXHIBITION INDONESIAN NATIONAL GALLERY 2007 ACTIVITIES TIMES COOPORATION CURATOR Mudji Sutrisno Exhibition 19 26 January Hujan Kabisat 24 30 January Venessa Art Link Suwarno Wisetrotomo 20 2 March ASEN-COCI Ade Darmawan Exhibition Maret CP Foundation “ By Indra Leonardi 23 March 1 April KING Foto April (Gd. B & C) YSRI "Poem of Blood" 11 26 April Libre Journal De Jakarta, potraits et autres voyages. Photographie, GERARD RONDEAU May Centre Culturel Francais (CCF)
30 Mei 10 Juni Institut Kesenian Jakarta F Widayanto "NARCISME" 29 june 5 July PT. Widayanto Citra Tembikarindo 'Demi Mas[s]a' 11 27 July Galeri Nasional Indonesia Rizki A Zaelani dan Mamannoor 1 10 August Carla Bianpoen/ YSRI [ 10 - 27 July (Gd. B&C) Ruang Rupa Ade Darmawan "The (UN) Real" [ Affandi, Nasirun dan Entang Wiharso] 14 August - 1 Sept O House Gallery Jim Supangkat September 3 Okt "Artvertising" Refleksi Budaya Massa Indonesia Dlm Seni Rupa Visual Arts Exhibition: from MEXICO 5 - 15 November November Painting Exhibition "How do I look" 14 23 Nov (Gd. B) Heru Hikayat 4 -14 Desember Oscar Motullah Visual Arts Exhibition: Asmujo J Irianto & Handiwirman "Playing It Cool..." 18 29 December |
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| Current Exhibition
Solo Exhibition
Semarak 30 Semar From June 6 until June 12
Feature 30 statues and 19 reliefs of the grandfatherly pot-bellied figure. In the hands and imagination of master potter F. Widayanto, Semar, the wisest character in Javanese mythology, could be anything. Anything that in the end boils down to the ancient wisdom of who holds the highest power of all: The people. "Semar, in my mind, existed and was real and alive throughout time, and he existed for all nations and cultures," he says. Semar appears as a surrealist painter in Dali Mania. He becomes an Egyptian king in King Izmy, and a Greek god in Zeus Mar. The usually serene image of Semar gives way to a certain smugness in Belly Dragon, or pensiveness in Moody Blue. But it was not an easy task to develop these reinterpretations of the mythical figure who always shows up last in wayang puppet performances, offering words of wisdom. The artist says it took him 13 years to grasp the essence of this character.[The Jakarta Post,Jakarta] Organized by F. Widayanto Studio with Indonesia National Gallery Posted on 09 Jun 2009 by webmaster
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Abas Alibasyah at soybean cake 1960's including artist which have conducted renewal by doing abstractions at its painting. In perpective to such object pushed by change of sosiocultural which is symptom started in Indonesia.