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Exhibition Procedure
Disipline and Responsibility
Procedure and Creteria of Collection
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Exhibition Procedure
Procedure and Exhibition mechanism Permanent Exhibition to as follows:
- Determination or sorting of collection to be displayed to related at curatorial concept by considering history aspect, theme, and variety of form visualizations.
- Collection to be displayed has to be good in a condition and have to process treatment (restoration / conservation).
- At permanent exhibition showroom be provided by data (information label) in the form of curator deliverer and in each on display collection is also provided by masterpiece label or other information.
- Commutation change or arrange exhibition remain to earn to be done periodically one or two year once.
- Permanent exhibition opened generically every day, at 10.00 - 16.00, except Monday (holiday).
- Strived by dissemination of information about permanent exhibition through various publication media and also done by educative tuition for the visitor of requiring.
Transient and Exhibition mechanism procedure, in The National Gallery of Indonesia, especially which is initiative by outside side party The National Gallery of Indonesia shall be as follows:
- Filing a petition or exhibition usage of addressed building to Head the National Gallery of Indonesia.
- Letter of intention enclosed by exhibition proposal loading exhibition concept, actor biodata and masterpiece repro to be displayed, to be raised at the latest 6 (month) before request schedule
- Every exhibition to be performed in the National Gallery of Indonesia is obliged to use curator and represent result of from curatorial process.
- The National Gallery of Indonesia is entitled to get documentation for the sake of appreciation, erudite importance and educative executed in order to publication, fine arts growth study and promotion.
Exhibition mechanism procedure Circle shall be as follows:
- Compiling curatorial planning (TOR / Activity proposal)
- Design cooperation with partner institute work in the case of execution and items
- Specifying exhibition items, insurance and registration
- Planning writing of items for the documentation and publication.
- Planning and packing delivery of masterpiece
- Planning to be displayed, opening and public educations.
COOPERATION AND EFFORT
Congeniality and Scope Cooperation
- Every events of exhibition represent cooperation form between the National Gallery of Indonesia with other Institute partner, goodness as curatorial cooperation form, technical cooperation, and also financing aspect.
- Curatorial cooperation includes planning conception and exhibition items, settlement of exhibition, public activity and publication.
- Cooperation in financing aspect covers the expense of management and planning and also building operational.
Technical cooperation, covering:
Building operational and conservancy of exhibition facility, human resource, security, hygiene, publication and documentation.
Cooperation government agency and non-governmental.
- Cooperation with government agency carried out in the effort artistic development of culture.
- Cooperation with Institute inter-states in order to cooperation effort transfer of culture.
- Cooperation with non-governmental institute (non-profit and profit) to increase society appreciation to fine arts growth.
Sponsorship
- Cooperation with the National Gallery of Indonesia national and also organizer with sponsor side which is arranged in agreement of cooperation.
- Medium publication installation which is logo or commercial product from sponsor coordinated with the National Gallery of Indonesia side.
- Matter which related to Lease effect of promotion items installation and sponsor product become sponsor side responsibility.
14 Feb 2007 by webmaster |
International Cooperation Exhibition
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In the celebration of “Tlemcen 2011, Cultural Capital City of the Islamic World”, Indonesia National Gallery, Directorate General Cultural Value, Art and Film, Ministry of Culture and Tourism will hold :
Indonesian Islamic Art Exhibition
“Horizon of Light: Islamic Collection of the Indonesia National Gallery”
5-12th September 2011
At Cultural Palace (Qase El Tsaqafa), El Imama-Tlemcen, Algeria
Exhibited works by:
Abbas Alibasyah, A.D Pirous, Affandi, Ahmad Sadali, Amang Rahman, Amri Yahya, Jubair, Fajar Sidik, Nashar, Oesman Effendi, Popo Iskandar Rusli, Said Akram, Setiawan Sabana, Srihadi Soedarsono, Sunaryo, Syaiful Adnan, Tisna Sanjaya, Umi Dachlan, Widayat, Yusuf Affendi, dan Zaini.
This exhibition shows the level of aesthetic achievement of the artists personally through works with calligraphy tendency, abstraction and figuration which reflects the Islamic cultural attitude.
Hold in cooperation with Ministry of Culture of the People’s Democratic Republic of Algeria, Embassy of the Republic of Indonesia for Algeria, Ministry of Foreign Affairs of the Republic of Indonesia and Islamic Educational, Scientific and Cultural Organization (ISESCO).
Notes: Besides Indonesia, other countries invited for holding cultural festival in Tlemcen, Algeria consist of 29 Islamic Countries, 12 Non-Islamic Countries among them are China, India, Portugal and USA.
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EXHIBITION
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INDONESIAN BATIK
"A Living Heritage"
25 January - 6 February 2012
The Exhibition Indonesian Batik “A Living heritage” pays homage to one of the most enchanting art forms found in Indonesia. Not without reason did UNESCO award Indonesian Batik the title “A Cultural Heritage” in 2009. Batik has a very special place in the world of textile. No other cloth in the Indonesian archipelago, perhaps in the entire world, is so rich in symbolism and meaning. Through the philosophy of its color and design, and the way it is made, folded and worn, batik expresses the spirit of the people who create it and wear it and who treasure it as part of their heritage.
The concept of the exhibition then includes to build a bridge between the appreciation of Batik in Indonesia and to interlink it with its artistic influence in Europe, especially in Germany, where Batik has a surprisingly long tradition and the contemporary use of Batik which can be found in architectural interpretation of Batik, allegorized in a project realized in London by Indonesian architect, modern automotive design, shown by Batik car of Mercedes Benz and fashion as displayed as contemporary Batik by Iwan Tirta and European Batik artists.
Galeri Nasional Indonesia
Federal Foreign Office
Clean Batik Initiative
EU-SWITCH Asia Probramme
EKONID AHK
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International Contemporary Art Exhibition
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JAKARTA BIENNALE # 14.2011
MAXIMUM CITY
Grand Opening
Thursday, December 15, 2011
At 7 pm
Hall A, B, C + Multi Function Room
National Gallery of Indonesia
Exhibition
December 16, 2011 - January 15, 2012
Jakarta Biennale is an international art event held every two years. Since 1968, Jakarta Biennale has been held 14 times. If 2009 and then we picked up the theme ARENA, this year we held # 14.2011 Jakarta Biennale with the theme of "Maximum City".
Implementation of the Biennale, as a venue for art, internationally agreed benchmark achievement as art in general, and the fine arts in particular. There was also a measure of the progress of a city or a nation. This is of course based on the relationship between art and the city that affect each other. Good art requires a conducive place to grow and develop. Conversely, a more advanced city, duly providing space for art. In this context, Jakarta Biennale is important to remain there, even growing.
Jakarta Biennale #14.2011 this time presenting the works of artists from within and abroad. Their works are exhibited in art galleries, parks, museums, malls to highways. For the sake of maximum utilization, art is no longer survive in an ivory tower and enjoyed a handful of people. But everywhere, for all of us. With so expect the equity and increase people's appreciation of art, so it can better contribute to development of the city.
Curator
Ilham Khoiri
Astri Bambang Widjanarko
Seno Joko Suyono
Guest curator
Eileen Legaspi Ramirez
Organizer: Jakarta Arts Council, Culture and Tourism Office of Jakarta in cooperation with the National Gallery of Indonesia
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Abas Alibasyah at soybean cake 1960's including artist which have conducted renewal by doing abstractions at its painting. In perpective to such object pushed by change of sosiocultural which is symptom started in Indonesia.