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Exhibition Procedure
Disipline and Responsibility
Procedure and Creteria of Collection
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Exhibition Procedure
Procedure and Exhibition mechanism Permanent Exhibition to as follows:
- Determination or sorting of collection to be displayed to related at curatorial concept by considering history aspect, theme, and variety of form visualizations.
- Collection to be displayed has to be good in a condition and have to process treatment (restoration / conservation).
- At permanent exhibition showroom be provided by data (information label) in the form of curator deliverer and in each on display collection is also provided by masterpiece label or other information.
- Commutation change or arrange exhibition remain to earn to be done periodically one or two year once.
- Permanent exhibition opened generically every day, at 10.00 - 16.00, except Monday (holiday).
- Strived by dissemination of information about permanent exhibition through various publication media and also done by educative tuition for the visitor of requiring.
Transient and Exhibition mechanism procedure, in The National Gallery of Indonesia, especially which is initiative by outside side party The National Gallery of Indonesia shall be as follows:
- Filing a petition or exhibition usage of addressed building to Head the National Gallery of Indonesia.
- Letter of intention enclosed by exhibition proposal loading exhibition concept, actor biodata and masterpiece repro to be displayed, to be raised at the latest 6 (month) before request schedule
- Every exhibition to be performed in the National Gallery of Indonesia is obliged to use curator and represent result of from curatorial process.
- The National Gallery of Indonesia is entitled to get documentation for the sake of appreciation, erudite importance and educative executed in order to publication, fine arts growth study and promotion.
Exhibition mechanism procedure Circle shall be as follows:
- Compiling curatorial planning (TOR / Activity proposal)
- Design cooperation with partner institute work in the case of execution and items
- Specifying exhibition items, insurance and registration
- Planning writing of items for the documentation and publication.
- Planning and packing delivery of masterpiece
- Planning to be displayed, opening and public educations.
COOPERATION AND EFFORT
Congeniality and Scope Cooperation
- Every events of exhibition represent cooperation form between the National Gallery of Indonesia with other Institute partner, goodness as curatorial cooperation form, technical cooperation, and also financing aspect.
- Curatorial cooperation includes planning conception and exhibition items, settlement of exhibition, public activity and publication.
- Cooperation in financing aspect covers the expense of management and planning and also building operational.
Technical cooperation, covering:
Building operational and conservancy of exhibition facility, human resource, security, hygiene, publication and documentation.
Cooperation government agency and non-governmental.
- Cooperation with government agency carried out in the effort artistic development of culture.
- Cooperation with Institute inter-states in order to cooperation effort transfer of culture.
- Cooperation with non-governmental institute (non-profit and profit) to increase society appreciation to fine arts growth.
Sponsorship
- Cooperation with the National Gallery of Indonesia national and also organizer with sponsor side which is arranged in agreement of cooperation.
- Medium publication installation which is logo or commercial product from sponsor coordinated with the National Gallery of Indonesia side.
- Matter which related to Lease effect of promotion items installation and sponsor product become sponsor side responsibility.
14 Feb 2007 by webmaster |
Exchange Visual Arts Exhibition Program
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PATHWAYS: Works by Indonesia and Thai Artists
(Collection of Indonesia National Gallery, Jakarta & The National Gallery, Bangkok)
25th of November until 20 th of December 2009
National Gallery Bangkok, Thailand,
Chao Fa Rood Rattanakosin District,
Bangkok 10200, Thailand
Curator : Rizki A. Zaelani & Alongkorn Chansuk
Total of Artworks: 18 collections of Indonesia National Gallery and 7 works by Thai Artists
Collections of Indonesia National Gallery are works by: Affandi, S. Sudjojono, Widayat, Amri Yahya, A. Sadali, Popo Iskandar, Mochtar Apin, Ivan Sagita, Irsam, Sutjipto Adi, Tisna Sanjaya, A.Y. Kuncana, Dwijo Sukatmo, Dede Eri Supria, I Gusti Ngurah Nurata, Rustamaji, Setiawan Sabana, dan Nunung W.S.
Collections of Indonesia National Gallery are works by: Iken Yimsisri, Prayura Uluchada, Manit Pooaree, Chaung Moolphinit, Nonthivathn C, Itihipol Thangchalok, Sivadol Sitipol
This 2009 International Cooperation Exhibition in Thailand forms a part of the series from cooperation exhibition program held by Indonesia National Gallery with art institutions abroad/international. This program is also implementation of the resolution agreement on Asian Art Museum Directors’ Forum in Beijing, China in 2006. The international exhibition has been started since 2007 at the National Art Gallery, Malaysia and in 2008 at the National Museum of the Philippines
Gallery Talk: 26th of November 2009, at 10.00 – 15.00 (local time)
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Visual Art Exhibition
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INDONESIA ART EXPOSITION 2010
MANIFESTO: "PERCAKAPAN MASA"
19-31 MAY 2010
at 10.00 – 19.00
A, B, and C Buildings
This
is a biennale exhibition at Indonesia National Gallery, after MANIFESTO
2008 as the beginning. It displayed works by 112 artists from 9
provinces (+ 11 cities) across Indonesia, consists of paintings,
sculptures, video art, and installation art. The theme “Percakapan
Masa” represents various visual reflections of dialogue experience
between artists these days with their predecessor whose works has
become important collections of Indonesia National Gallery.
This
exhibition is held to commemorate 102nd National Awakening as well as
welcoming Visit Museum Year 2010 also to celebrate International Museum
Year 2010.
Curator : Rizki A. Zaelani
Co-Curator: A. Rikrik Kusmana
Along with the opening ceremony of this exhibition, Post Event Catalogue: Indonesia Art Exposition 2008: MANIFESTO was launched.
Note:
All exhibition’s artists and partners can get the above catalogue for free at our office every day at work time.
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Solo Exhibition
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Semarak 30 Semar
by F. Widayanto
From June 6 until June 12
10 am - 8 pm
[A Building]
Feature 30 statues and 19 reliefs of the grandfatherly pot-bellied figure. In the hands and imagination of master potter F. Widayanto, Semar, the wisest character in Javanese mythology, could be anything. Anything that in the end boils down to the ancient wisdom of who holds the highest power of all: The people.
"Semar, in my mind, existed and was real and alive throughout time, and he existed for all nations and cultures," he says. Semar appears as a surrealist painter in Dali Mania. He becomes an Egyptian king in King Izmy, and a Greek god in Zeus Mar. The usually serene image of Semar gives way to a certain smugness in Belly Dragon, or pensiveness in Moody Blue.
But it was not an easy task to develop these reinterpretations of the mythical figure who always shows up last in wayang puppet performances, offering words of wisdom. The artist says it took him 13 years to grasp the essence of this character.[The Jakarta Post,Jakarta]
Organized by F. Widayanto Studio with Indonesia National Gallery |
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Abas Alibasyah at soybean cake 1960's including artist which have conducted renewal by doing abstractions at its painting. In perpective to such object pushed by change of sosiocultural which is symptom started in Indonesia.